(William Fruet, 1984)
**spoiler alert** Having established his admiration for the master with the Psycho-for-Dummies of "Funeral Home", here Fruet serves up Rear Window with a dash of Spellbound: jogging voyeur Kenneth Gilman falls in with comely psychiatrist Dayle Haddon, before his kink gets him caught up in all kinds of shady intrigue. Needless to say, the film doesn't benefit from the comparison. It's frustrating how they keep pulling us out of the characters' point of view with cheat flashbacks or overdoses of stupid detective, and the pacing and cinematography are both damagingly pedestrian. By the more, er, modest yardstick of Robert Lantos sex schlock, however, it succeeds pretty well; at times the voyeurism theme actually feels like something more than an excuse to show pretty women undressing, and Gilman and Haddon are genuinely appealing and show genuine chemistry. So it's almost tragic that the filmmakers had to boil it all down to a murderous ex-hooker who thinks that "all men are pimps" - not just a stupid device, but a shamefully irrelevant one, unless of course they're working a moral angle, something along the lines of 'being a deviant will get you killed,' which I could also live without.